12/8/2023 0 Comments Watch nathan chen rocket man“You’re always worried as an athlete, as a performer, as a designer that your work, when you look back, looks irrelevant. “I was so happy because I thought the clothes looked very modern even today,” Wang said. Much more fabric was used in 2013 when Wang designed Kwan’s wedding dress as the two went from making fashion statements on the ice to at the altar.Īs for those old sketches on Kwan’s Instagram post, Wang liked and commented on it. That was evident in the costumes Kwan wore during the 19 Olympics when she was dressed by Wang, particularly the golden dress from her memorable “Fields of Gold” performance. “The music and the choreography guides everything in terms of creativity,” Wang said. She gets an advance viewing of the choreograph program, even if only in its earliest stages. There are other challenges there, but it’s very different from an athlete.” Opening Up the Sketchbook For Michelle KwanĪ post shared by Michelle Kwan skater has very different parameters to how they want to dress for technical reasons, which is really something because you don’t see it in a costume, necessarily,” Wang said.īefore Wang begins to sketch, she is first sent the music for the skater’s short and long program so, she said, she can relate to it musically. But, unless you’re performing on stage, it’s basically a red-carpet process and that’s very, very different. I’m not saying that the Oscars isn’t important, or the Golden Globes. ![]() “It’s scary because they have to perform. “This is the reality of dressing a figure skater,” Wang said. The sleeves on the latter introduced a transparent, stretch illusion fabric so thin and form-fitting it left Wang fearful of a rip. That ranged from the simplicity of a solid-white, no-frills costume worn in 1992, to the elegance of a flesh-colored dress featuring over 10,000 heat-pressed rhinestones in 1994. “I was trying to bring out, sort of like, a Grace Kelly, Audrey Hepburn kind of look for her,” Wang recalled. She was pushed outside her comfort zone and forced to expand the boundaries of her creativity – a fashion icon handed a paintbrush and given an ice rink to use as her canvas.įor Kerrigan, dressed by Wang for the 19 Olympics, that often meant costumes inspired by full dresses created by her designer. When you stop and think about it, the responsibility is staggering.” “If there is any wardrobe malfunction, you can ruin someone’s Olympic championship. “I was always very reticent because I know, as a skater, the responsibility it is,” Wang said. Wang was haunted by the fear of costing a skater an Olympic medal. ![]() She then began having nightmares: a dress that rips at the arm hole, a quadruple-sewn zipper that comes undone, a sequin that drops to the ice and causes a fall. And a double Axel or triple Lutz certainly had never been attempted in the wedding dresses or evening wear she designed. She initially declined because she hadn’t done it before. Wang was asked to design Nancy Kerrigan’s costumes by her coach, Mary Scotvold, ahead of the 1992 Winter Olympics in Albertville. Nancy Kerrigan finishes her long performance at the 1994 Lillehammer Olympic Games in a costume designed by Vera Wang.ĭesigning for figure skaters was a project Wang initially turned down.
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